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Michael, your beautiful work is the reason wood carving has become interesting to me. You add another dimension and for lack of understanding what that is, I would call it celebration of detail, flow, and spirit.
I went to your blog as a friend and found it delightful. I loved what I learned. You have a way of making it fun and easy.
Michael, CONGRATULATIONS! Your Woodcarving Site will continue your GIFT to the Carving Family. Every new creation, be it from wood or from words, will be the result of your creative mind and passionate heart for Woodcarving. THANK YOU! Carvefully yours, Don Mertz
Michael, Thank you for the outstanding articles, great advice, and beautiful carvings. Your website is a wealth of knowledge especially for a beginner like myself. You make learning easy and the techniques you offer are just outstanding. I would also like to thank you for the detailed emails you sent me outlining all the necessary tools that are needed based on your years of experience. You are a true professional, exceptional artist, and one heck of a nice person. Keep those articles coming and continue to offer your recommendations/experiences in your writings. Thank you again. Dan W
Michael, I just want to say how much I enjoyed your gallery of work, outstanding works of art sir…What a pleasure to see!
I am new to the world of wood carving /whittling,I took up the knife about a year ago and have been scouring the web looking for carvings I must say these are some of the best I’ve seen! Thank you for sharing…
Michael, thank you for your blog and web site.
I have recently found your site and I am in the process of reading through, starting with your first blog back in march 09.
I feel that I will find many helpfull tips and advice.
Again thank you
Any chance you want to sell some wood work at the Emerson Farmer’s Market? We would love to have your beautiful work at the table with Glass work, Poetry , painting, etc. Just asking no pressure from us.
You, of course, would be a great draw for all of us. Your work is so beautiful.
Mike and I have been friends since the early 80s and share a common ancestry in Utah. Mike reawakened my interest in carving when we worked together in the energy industry. I continue to carry that passion. Mike is a superb teacher and inspires his students with a gentle but demanding passion for the spirit of the wood. If you are a serious artist or just a simple country whittler, Mike is the guy to take your craft to the next level.
Emil Janel was a prolific carver and lots of folks have inquired of me about the value of Janel carvings that they own. I really have no idea. I suggest monitoring auction sites who occasionally broker Janel carvings.
First, there is probably no safe way to fumigate around the house. It is probably best to simply take it to a lumber treating yard and have them do it for you… or a professional fumigator. However, a method I have used with success is to, out in fresh air, place my wood in a large plastic garbage bag; I take a fresh can of a good insecticide and place it inside the bag; close the bag tightly and then, through the plastic, I push the spray button releasing roughly a quarter to half a can of spray into the closed bag. I then leave the bag for 48 hours or more before opening it. When I do open it, I hold my breath and then get clear away from it so as to not breath any fumes until it has safely cleared. Of course, it is important to keep the bag and spray away from children or pets or anyone who may open the bag for the fun of it. And, the wood will now covered with spray and should be washed carefully. The used bag, then should be disposed of in a proper manner. Remember insecticide is dangerous and may even be carcinogenic. It is imperative that you wear a proper mask and protective clothing while dealing with the spray and wood. Another thing to consider is that the less wood you are fumigating, the better chance you will have of killing any bugs in the wood. So, it may be a good idea to rough-out your piece before fumigating it. If your piece will ever be used as a bowl for food or the like, insecticide is not a viable option… nothing is. Good luck with it all.
Firstly I am really enjoying your blog, it’s so inspiring. I am only new to the carving world and have been teaching myself as I go along. There is now an interest in my work here in my small town and have been asked to do a job for the local council, (I live in Victoria, Australia). They have asked me to carve a large stump into a statue for the local park. However, the stump, which is River red gum, Eucalyptus camaldulensis, extremely hard wood is around 4 meters high, 2 meters wide and will be left in the ground they want me to carve it where it is. At the moment it is still a tree that they will be chopping down due to Eucalytpts dropping their branches without warning it has become a safety issue.
What can I do to stop the stump from cracking while it is drying?
Can I start carving while it is still green? As it is a hard wood, would this make it easier to carve?
Should it be covered while it is drying, to limit the amount of sun exposure?
I should also tell you that the stump has twin trunks, each trunk will be carved into a different statue and they are around 1 meter wide each. This tree is roughly 200 years old and I’m afraid of ruining it.
The council want it to remain in the ground to become a visually pleasing aspect to the park lands but I am worried about rotting and creepy crawlies eating it away. Michael I really need some advice on this one, it’s starting to do my head in.
Regards Michelle. Vic. Aus
It sounds like you are taking on a serious project… one that would make a seasoned carver a bit nervous. I am sure you will do fine.
Unless the tree is separated from the ground, it will be subject to insects and rot… it will anyway but leaving it in the ground will increase the rate of rot of infestation 1000 fold. I really do not know anything about Eucalyptus but, as with any wood, there may be some surprises inside. Imperfections are quite common in trunks of trees. You won’t know until you cut into it. I do believe you can carve it green… and probably should. It will likely do some splitting. Some splitting is a given. You can slow/reduce splitting by keeping the exposed wood from heat and sun if that is possible. You could also try keeping the wood treated as you carve it helping to protect it as you go. I do suggest that you treat the ends of the stump, the minute it is cut.
Sorry I can’t be of more help. You might find a local chainsaw carver and pick their brain.
Great site, but the advice to remove heartwood on green wood gives me problems because I want to carve a bowl (or 2) from some freshly cut cherry wood I’ve been given. Do you replace the centre/base with another section of wood? I’m sure I’ve seen one piece bowls but I don’t know if they were carved from green or seasoned wood!
Graeme, I can only relate to my own experiences but I find that splitting a limb or trunk down the center, giving you two halves, will provide the probability of greater success. You can then carve a bowl in each half. But, even then, you must work quickly to remove the center stock to help prevent splitting. If you can not get the wood thinned out adequately at the end grain in one sitting, then be sure to add moisture or food grade oil and wrap it up well until you can get back to it. Cherry is dang hard which adds to the challenge. Even when you get all of the bowl thinned out, be sure to slather it with food grade oil. If you live anywhere around the Pacific Northwest, I suggest red alder over cherry… it is much easier to work, it is attractive and it is readily available in large diameter pieces. To be honest, I even have trouble carving a green cherry spoon without it cracking. Good luck with your project.
Paul, there are a few options for you. If your carving is one piece, then simply leaving a blocked out area where the eyes would normally be and carve the glasses as part of your carving. If you intending for the glasses to be separate, you could use small copper wire or other craft wire and make the glasses and add them to your carving. Or, you could actually carve them separately and add them. With the latter approach, split off a thin piece of bass wood… draw the glasses to the proper proportion and carve them out with a fine detail knife. Making the glasses face and ear pieces separately will simplify things… then glue them on your caricature’s face with a micro dot of cyanoacrylate glue such as Super T instant glue.